MINERVA

vitable sheet of music in the hand of a singer who stands forward on the platform and sings a solo at a concert—though why, is a mystery: for neither the hymn-book nor the sheet of music is ever referred to by the sufferer. This superintendent was a slim creature of thirty-five, with a sandy goatee and short sandy hair; he wore a stiff standing-collar whose upper edge almost reached his ears and whose sharp points curved forward abreast the corners of his mouth—a fence that compelled a straight lookout ahead, and a turning of the whole body when a side view was required; his chin was propped on a spreading cravat which was as broad and as long as a bank-note, and had fringed ends; his boot toes were turned sharply up, in the fashion of the day, like sleigh-runners—an effect patiently and laboriously produced by the young men by sitting with their toes pressed against a wall for hours together. Mr. Walters was very earnest of mien, and very sincere and honest at heart; and he held sacred things and places in such reverence, and so separated them from worldly matters, that unconsciously to himself his Sunday-school voice had acquired a peculiar intonation which was wholly absent on week-days. He began after this fashion: “Now, children, I want you all to sit up just as straight and pretty as you can and give me all your attention for a minute or two. There—that is it. That is the way good little boys and girls should do. I see one little girl who is looking out of the window—I am afraid she thinks I am out there somewhere—perhaps up in one of the trees making a speech to the little birds. [Applausive titter.] I want to tell you how good it makes me feel to see so many bright, clean little faces assembled in a place like this, learning to do right and be good.” And so forth and so on. It is not necessary to set down the rest of the oration. It was of a pattern which does not vary, and so it is familiar to us all. The latter third of the speech was marred by the resumption of fights and other recreations among certain of the bad boys, and by fidgetings and whisperings that extended far and wide, washing even to the bases of isolated and incorruptible rocks like Sid and Mary. But now every sound ceased suddenly, with the subsidence of Mr. Walters’ voice, and the conclusion of the speech was received with a burst of silent gratitude. A good part of the whispering had been occasioned by an event which was more or less rare—the entrance of visitors: lawyer Thatcher, accompanied by a very feeble and aged man; a fine, portly, middle-aged gentleman with iron-gray hair; and a dignified lady who was doubtless the latter’s wife. The lady was leading a child. Tom had been restless and full of chafings and repinings; conscience-smitten, too—he could not meet Amy Lawrence’s eye, he could not brook her loving gaze. But when he saw this small newcomer his soul was all ablaze with bliss in a moment. The next moment he was “showing off” with all his might—cuffing boys, pulling hair, making faces—in a word, using every art that seemed likely to fascinate a girl and win her applause. His exaltation had but one alloy—the memory of his humiliation in this angel’s garden—and that record in sand was fast washing out, under the waves of happiness that were sweeping over it now. The visitors were given the highest seat of honor, and as soon as Mr. Walters’ speech was finished, he introduced them to the schoo